花之間。呈現在纖日廣場主視覺由藝術家黃英誠與花藝師吳宜真共同創作。作為迎賓入口，開啟扇門後進入纖維知識領域。作為迎賓的重要通道空間，裝置由7片開放式門扇組成繫上371個繡框，表面材料由珍珠紗及尼龍織網組合，造型以V字的色彩構成結合中段主視覺花環。
在地產業與藝術家間的合作，尼龍纖維為製造網紗的材料，位於臺中市清水區，多家織造廠生產供應全台灣的農用紗網、織袋等運用商品。藝術家利用生產後的材料作為創作，主視覺花環，運用自然植物以及人造纖維的連結。藉由不同特質的媒材組合，也是表達一個關係狀態的平衡，即便每個人的特質不同，在社會關係上也能夠展現包容與美善。
隨著時間推移，光線在布料上的演色變化，珍珠紗與塑膠織網的透光性在於不同視角觀賞時，材質會呈現不同色調。午後陽光穿透門扇可以欣賞在地面的彩影跳動，民眾可以靜心地感受光線灑落的溫暖。
藝術家：黃英誠 （ＲＡＵＭ＋藝術與開放空間實驗室）
花藝師：吳宜真 （青晨花實）
展覽地點：臺中市纖維工藝博物館-纖日廣場
音樂 : Midnight Walk by Richard Griffith
攝影/剪輯：黃英誠
Between Blossoms
Artistic Concept
Between Blossoms forms the main visual at Xian-Ri Plaza, co-created by artist Huang Ying-cheng (黃英誠) and floral artist Wu Yizhen (吳宜真). Serving as a welcoming threshold, the work opens like a set of doors that lead visitors into a realm of fiber knowledge. The installation comprises seven openwork door leaves threaded with 371 embroidery hoops. Its surfaces combine pearl yarn and nylon mesh, while a V-shaped chromatic composition converges on a central floral wreath.
Developed in collaboration with local industry, the project highlights nylon fiber—the basis for mesh fabrics produced in Qingshui District, Taichung, where numerous weaving mills supply agricultural netting and woven sacks across Taiwan. The artist repurposes surplus, post-production materials, linking natural plant matter with man-made fibers in the main visual wreath. This union of distinct media articulates a balanced relational state: although individual qualities differ, our social fabric can embody inclusivity and goodness.
As time passes, light modulates the fabrics’ hues. The translucency of pearl yarn and plastic mesh creates shifting tones from different viewpoints. In the afternoon, sunlight filtering through the door leaves casts dancing, prismatic shadows across the ground, inviting visitors to slow their pace and feel the warmth of light.
